Generative mandalas, archangels, six-to-eight-second cinematic loops. The artistic signature of a long-form author — not a generic AI. Each image descends from a human gaze of twenty-five years.
Sacred geometry orchestrated by the author's hand. The mandala is not a motif: it is an act of restraint, a silent laying-down of light upon the hertzian pulse. A body of work exhibited at the Salon d'Automne, consecrated by the institutions. A visual grammar that conveys the sacred without ever declaiming it.
Discover the corpusThe digital sacred, incarnate. An iconography born of the long European tradition of the spiritual portrait, set down in a new material. The Little Queen of the Heavens, the angelic figures of the “Plume” series: a contemporary pantheon authored by Isabelle Schmitt, exhibited at the Salon d'Automne in Paris.
Discover the corpusSix to eight seconds. A brief duration, enough to reveal the gesture of a living work and consecrate it as signature. Conceived for the signature screens of distinguished hotels, spas, galleries and immersive venues: a work that breathes, unfolds, accompanies without imposing.
Discover the corpusIn a few years, everyone will generate AI animations — just as today everyone takes a photo with their phone. What will remain rare, desirable, what will create a work: artistic direction.
Rhythm. Light. Narrative. Emotion. The coherence of a universe. Generating is not creating: a gaze is required — built, coherent, recognisable — for an animation to become a work.
Angels in motion. Immersive vertical loops. Stories conceived for TikTok, Reels, vertical feeds. Angel Core, System Core — inhabitable visual languages that cross formats and platforms without dissolving into the stream. Contemporary narrative, signed Isabelle Schmitt.
Beyond the singular work, a scalable, authored visual architecture, deployable for luxury houses, hotels of exception and cultural institutions.
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