Section Director · Salon d'Automne
Founder and President of the Digital Art & Video Section. Eleven editions at the Grand Palais. The first section dedicated to authored digital art within an institution founded in 1903.
Multi-award-winning photographer-authorOver 25 years of professional and institutional photography
For eleven editions, Isabelle Schmitt founded and directed the first Digital Art & Video Section in the history of the Salon d'Automne.
For Isabelle, passing on knowledge is second nature.
It means listening to the gaze of an artist, a photographer, a child,
detecting the singularity hidden within,
and guiding it towards new horizons, through mastery of technique and the affirmation of one’s art.
A consummate technician, she shares her knowledge generously, and reveals what already exists within the other.
Hundreds of international authors mentored — from masterclasses to the Grand Palais.
Salon d'Automne · Grand Palais · FFP · Aguila Voyages · Centre Brancion · International lectures · Universities & schools
Founder and President of the Digital Art & Video Section. Eleven editions at the Grand Palais. The first section dedicated to authored digital art within an institution founded in 1903.
Member of international juries. Fédération Française de Photographie. Artist selections for the Salon d'Automne, Tokyo partnerships, institutional tributes. An eye that reveals and consecrates.
Centre Brancion — Paris. Not a class. A shared session of image reading. Isabelle’s gaze settles on another’s work, reveals its secret line and names what rings true. For experienced photographers seeking their own clarity.
Around a hundred international artists mentored over ten years. Not consultancy. Attentive listening. Detecting a singularity, pushing it in its own direction, handing it the institutional keys — Salon d'Automne, ADAGP, galleries, partnerships. Bringing a personal language to light.
Round tables, salon openings, institutional dialogues. Talks on creative AI, the transformation of the image, the future of photography and the role of the author in the generative era.
Exhibition design, curatorial selection, spatial scenography. International art direction — from the Grand Palais to partner institutions in Tokyo. Shaping the encounter between the work and its audience.